This exhibition at Tabacalera Promoción del Arte was a reflection on the scale as a tool for reading, comparing and creating references to understand the space and context of each individual and how it affects the relationship between the body, space and the works.

At Bomba Gens Centro de Arte, Bunga was part part of this exhibition exploring ornamentation in contemporary art as non-contingent.

The exhibition at the Museum of Art, Architecture and Technology showcased historical and contemporary works by artists whose work promotes the discussion on topics that expand or narrow the relationship between art and architecture.

After moving to a new space in Tribeca in New York, the gallery Alexander and Bonin organized this summer exhibition.

Centro de Arte Alcobendas showed part of the Colección Valzuela, by María Pilar Cerezuela and Enrique Vallés. The exhibition aimed to transfer an extract of their daily environment and peaceful coexistence between periods and disciplines through a montage of that very personal narrative of what a collection can be.

An exhibition at Museo del Patrimonio Municipal de Málaga with works from the olorVISUAL collection, that links places, customs, popular figures and historical moments from the city of Málaga with olfactory memories.

A travelling exhibition across four cities in Portugal, at Centro para os Asuntos da Arte e Arquitectura, Círculo de Artes Plásticas de Coimbra, Centro de Artes e Cultura de Ponte de Sor and Espaço Adães Bermudesin. Bunga presented one of his video works.

Guggenheim Bilbao presents an exhibition with pieces from Hermann and Margrit Rupf’s collection. It puts works by key artists from art history such as Pablo Picasso, Georges Braque, Juan Gris, Fernand Léger, Paul Klee or Vasily Kandinsky in dialogue with works by contemporary artists. Two paintings by Bunga are part of the collection and were included in the exhibition.

The PLMJ Foundation organized an exhibition at the Fine Arts Society (Sociedade Nacional de Belas Artes) with a selection of works focusing on sculptures by artists from Portugal and Mozambique belonging to the PLMJ Foundation collection.

This exhibition celebrated the gallery’s 25th anniversary, showcasing a panoramic view of its activity since it opened its doors. Bunga’s included works were some of his objects made out of cardboard and home paint.

Fundação Calouste Gulbenkian organized an exhibition at its Centre Culturel Calouste Gulbenkian, including works from Portuguese contemporary artists who demonstrate critical thinking in the face of modernity and reflect on being marked by the cosmopolitan and critical experience of their national reality.

Art gallery CarrerasMugica hosted an exhibition at La Nave with a selection of artists from Galeria Elba Benitez. It approached contemporary art from the idea of multiplicity, aiming for a narrative to emerge on its own accord. Bunga exhibited several of his Models – sculptures made out of cardboard and paint.

The Bronx Museum of the Arts presented an exhibition that explored the influence and legacies of major Latin American and Caribbean modernist architecture and thought on contemporary artists.

For the 2015 Chicago Architecture Biennial, The State of the Art of Architecture, Bunga presented the installation Under the Skin, as the inaugural exhibit at the Stony Island Arts Bank.

The exhibition at KARST explored how diverse artistic strategies, seemingly humble or even invisible, can unfold as gestures of resistance, as instruments for radical change.

The exhibition at art gallery Luciana Brito traced performative dimensions in contemporary abstract art, connections to modernism, and the reinvention of abstraction. Bunga presented one of his site-specific architectural constructions.

Bunga created a site-specific construction for the covered public square “Couros” of the Guimarães Design Institute. The exhibition was part of the program Change in Progress for the Guimarães: 2012 European Capital of Culture.

De-monumentalisation was the theme, referring to the sculpture being freed from any celebratory, encomiastic function, and rethinking how it could be possible to once again identify ourselves with monuments.

For the 29th São Paulo Biennial, Bunga presented Simultaneo, a site-specific installation made out of mass-produced materials like cardboard, glue, adhesive-tape and home paint.

Carlos Bunga was part of the exhibition Colección Helga de Alvear at the Museo de Arte Contemporáneo Helga de Alvear, curated by José María Viñuela, patron of the Foundation.