Carlos Bunga’s “Intento de conservácion IV, 2015“, was part of the exhibition “HISTORY(IES) OF ART RECENT ACQUISITIONS IN THE SERRALVES COLLECTION” at the Serralves Museum, next to 11 other artists’ whose work had been recently acquired.

Carlos Bunga was part of the exhibition “18 May 2022“ at the 3+1 Contemporary Art gallery in Lisboa, where he presented the painting “Homeless #4“

An exhibition at CaixaForum, on innovations and transformations in painting with works from the collection “La Caixa”, exploring a changed understanding of this technique.

An exhibition at Centre Art Contemporain Meymac with works of the Portuguese art scene, as part of the Les Printemps de Haute-Corrèze festival.

This exhibition at Tabacalera Promoción del Arte was a reflection on the scale as a tool for reading, comparing and creating references to understand the space and context of each individual and how it affects the relationship between the body, space and the works.

At Bomba Gens Centro de Arte, Bunga was part part of this exhibition exploring ornamentation in contemporary art as non-contingent.

After moving to a new space in Tribeca in New York, the gallery Alexander and Bonin organized this summer exhibition.

An exhibition at Museo del Patrimonio Municipal de Málaga with works from the olorVISUAL collection, that links places, customs, popular figures and historical moments from the city of Málaga with olfactory memories.

Guggenheim Bilbao presents an exhibition with pieces from Hermann and Margrit Rupf’s collection. It puts works by key artists from art history such as Pablo Picasso, Georges Braque, Juan Gris, Fernand Léger, Paul Klee or Vasily Kandinsky in dialogue with works by contemporary artists. Two paintings by Bunga are part of the collection and were included in the exhibition.

Fundação Calouste Gulbenkian organized an exhibition at its Centre Culturel Calouste Gulbenkian, including works from Portuguese contemporary artists who demonstrate critical thinking in the face of modernity and reflect on being marked by the cosmopolitan and critical experience of their national reality.