Com [en present d’indicatiu] #Com01 Carlos Bunga + Joana Roda + Pía Sommer brings together these 3 artists to develop a performance during the pandemic, adapting to the challenges generated by the period of confinement.

Centered around a fragment of Enric Casasses' poem, El nudo la flor (The Flower Knot)

a breath? a name? the ways of worldmaking was the 7th edition of Biennale Gherdënia, curated by Adam Budak.

Carlos Bunga was part of the collective exhibition at Gund Gallery, Kenyon College, Sculpture As Verb. Expands on the ideas proposed by one of Richard Serra’s most influential works, Verb List

Carlos Bunga was part of the collective exhibition Uma Cadeira É Uma Cadeira É Uma Cadeira at Galeria Luisa Strina in São Paulo, Brasil.

At MACBA Barcelona, Bunga presented the installation Animismo. Tables, sideboards and other elements recovered from flea markets are given a new lease of life, in which they merge with the Museum building through interventions with cardboard panels and adhesive tape, ephemeral elements that configure their own unique language.. Reusing furniture as a reflection on the life we bestow on inanimate objects, a new animism that, in this case, inhabits a museum space.

This group exhibition presented at Galeria do Torreão Nascente da Cordoaria showcased some of Fundación ARCO’s collection and how art has been evolving since the 60s. Bunga’s included piece was Intento de conservación III.

With works from the Fundación Botín collection, this exhibition was a reflection on a the current world marked by mutation, instability, social conflict, political tension and environmental danger, and the fragmented perception of reality where the real and the imaginary come increasingly closer together.

Bunga created a site-specific construction for the covered public square “Couros” of the Guimarães Design Institute. The exhibition was part of the program Change in Progress for the Guimarães: 2012 European Capital of Culture.

Carlos Bunga was part of the exhibition Colección Helga de Alvear at the Museo de Arte Contemporáneo Helga de Alvear, curated by José María Viñuela, patron of the Foundation.

Bunga won this international award organized by the Diputación Provincial de Castellón. He presented one of his architectural installations.

The exhibition at Artists Space showed artists who employed strategies of construction, destruction, and transformation to explore the architectural structure of the house.Bunga presented a site-specific installation made out of everyday materials, which he then collapsed and documented in pictures.

The exhibition brought together works by contemporary artists that delve into moments of crisis and fissure affecting everyday urban and domestic spaces. Bunga explored this through a site-specific architectural construction.

Bunga participated at this event organized by students of the Superior School of Arts and Design of Caldas da Rainha, Portugal, where everyone is invited to show their work and projects on the streets of the city and in their homes. At the school’s student residence where he was staying, he showed a site-specific construction and registered an artistic action tearing it down.