For Manifesta 15 in Barcelona, Bunga created La irrupción de lo impredecible, which consists of a monumental painting that emanates light from the floor and a series of cocoons that hang from the ceiling.

At MACBA Barcelona, Bunga presented the installation Animismo. Tables, sideboards and other elements recovered from flea markets are given a new lease of life, in which they merge with the Museum building through interventions with cardboard panels and adhesive tape, ephemeral elements that configure their own unique language.. Reusing furniture as a reflection on the life we bestow on inanimate objects, a new animism that, in this case, inhabits a museum space.

For the 35th edition of the Sao Paulo Art Biennial, Bunga presented Habitar el color, a site-specific commissioned work that invited visitors to a sensory experience of walking on a thick layer of crackled paint and feeling the color and its ephemeral nature with their feet.

Carlos Bunga’s “Intento de conservácion IV, 2015“, was part of the exhibition “HISTORY(IES) OF ART RECENT ACQUISITIONS IN THE SERRALVES COLLECTION” at the Serralves Museum, next to 11 other artists’ whose work had been recently acquired.

Carlos Bunga was part of the Anozero–Coimbra Biennial of Contemporary Art ‘21-22. In the exhibition “Meia-Noite”, he presented the video and site-specific installation “Mother”.

Carlos Bunga was part of the exhibition “18 May 2022“ at the 3+1 Contemporary Art gallery in Lisboa, where he presented the painting “Homeless #4“

Bunga’s Nicho #10, acquired by FLAD, was part of the exhibition Feast. Fury. Femina. Works from FLAD Collection presented at the Arquipelago. Centro de Artes Contemporâneas in São Miguel.

Carlos Bunga was part of the exhibition “Europa, Oxalá“ at the Calouste Gulbenkian Foundation.

For the exhibition Chapter 1: Mental Landscapes of the triennal GIGANTISME - ART & INDUSTRIE, organized by Frac Grand Large, Bunga created the site-specific Cathédrale, presented at Dunkirk’s Halle AP2 (‘Atelier de Préfabrication n° 2).

This group exhibition presented at Galeria do Torreão Nascente da Cordoaria showcased some of Fundación ARCO’s collection and how art has been evolving since the 60s. Bunga’s included piece was Intento de conservación III.

FdG Projects was the first exhibition space of art collector Frédéric de Goldschmidt, where he shared his acquisitions with the public. He has several artworks by Bunga, which were part of this double exhibition with Fernanda Fragateiro.

An exhibition at CaixaForum, on innovations and transformations in painting with works from the collection “La Caixa”, exploring a changed understanding of this technique.

An exhibition that outlined recent developments in contemporary sculpture. Curated by Jens Hoffmann. The title is a reference to Marcel Broodthaers’s Museum of Modern Art, Department of Eagles.

With works from the Fundación Botín collection, this exhibition was a reflection on a the current world marked by mutation, instability, social conflict, political tension and environmental danger, and the fragmented perception of reality where the real and the imaginary come increasingly closer together.

An exhibition at Centre Art Contemporain Meymac with works of the Portuguese art scene, as part of the Les Printemps de Haute-Corrèze festival.

The Museum of Art, Architecture and Technology presented an exhibition on Pedro Cabrita Reis’s collection acquired by EDP Foundation, focusing on the initial moments of the careers of Portuguese artists.

This exhibition at Tabacalera Promoción del Arte was a reflection on the scale as a tool for reading, comparing and creating references to understand the space and context of each individual and how it affects the relationship between the body, space and the works.

At Bomba Gens Centro de Arte, Bunga was part part of this exhibition exploring ornamentation in contemporary art as non-contingent.

The exhibition at the Museum of Art, Architecture and Technology showcased historical and contemporary works by artists whose work promotes the discussion on topics that expand or narrow the relationship between art and architecture.

After moving to a new space in Tribeca in New York, the gallery Alexander and Bonin organized this summer exhibition.