Carlos Bunga was part of the group exhibition Modus Operandi at Serralves. The exhibition brings together works that have been incorporated into the Serralves Collection since it was launched in 1989. It reflects specific experimental or transdisciplinary approaches and includes conceptual and formal themes that convey the attitudes, contexts and concerns that marked art production since the 1960s.

Carlos Bunga was part of the collective exhibition Oneiroikos at Broteria. It brings together works through the prism of the book The poetics of space by Gaston Bachelard. The works act as discreet worlds, that contain micro- and macrocosms, and that aim to explore and reflect the relation between interiority and exteriority, both physical and psychic, creating Bachelardian poetic images that are born out of the meeting between subjectivity and reality, between intimacy and the world.

Carlos Bunga was part of the collective exhibition Transition Zones – Works from the PLMJ Foundation Collection at the Torreão Nascente of the Cordoaria Nacional. The selection of works and artists includes different generations from Portuguese-speaking countries,

Carlos Bunga was part of the collective exhibition at MUSEU BIENAL DE CERVEIRA

At the MU.SA - Museu das Artes de Sintra, a group exhibition showcasing the VASCO Collection.

Carlos Bunga’s “Intento de conservácion IV, 2015“, was part of the exhibition “HISTORY(IES) OF ART RECENT ACQUISITIONS IN THE SERRALVES COLLECTION” at the Serralves Museum, next to 11 other artists’ whose work had been recently acquired.

Carlos Bunga was part of the Anozero–Coimbra Biennial of Contemporary Art ‘21-22. In the exhibition “Meia-Noite”, he presented the video and site-specific installation “Mother”.

Carlos Bunga was part of the exhibition “18 May 2022“ at the 3+1 Contemporary Art gallery in Lisboa, where he presented the painting “Homeless #4“

Bunga’s Nicho #10, acquired by FLAD, was part of the exhibition Feast. Fury. Femina. Works from FLAD Collection presented at the Arquipelago. Centro de Artes Contemporâneas in São Miguel.

Carlos Bunga was part of the exhibition “Europa, Oxalá“ at the Calouste Gulbenkian Foundation.

This group exhibition presented at Galeria do Torreão Nascente da Cordoaria showcased some of Fundación ARCO’s collection and how art has been evolving since the 60s. Bunga’s included piece was Intento de conservación III.

An exhibition that outlined recent developments in contemporary sculpture. Curated by Jens Hoffmann. The title is a reference to Marcel Broodthaers’s Museum of Modern Art, Department of Eagles.

The Museum of Art, Architecture and Technology presented an exhibition on Pedro Cabrita Reis’s collection acquired by EDP Foundation, focusing on the initial moments of the careers of Portuguese artists.

The exhibition at the Museum of Art, Architecture and Technology showcased historical and contemporary works by artists whose work promotes the discussion on topics that expand or narrow the relationship between art and architecture.

A travelling exhibition across four cities in Portugal, at Centro para os Asuntos da Arte e Arquitectura, Círculo de Artes Plásticas de Coimbra, Centro de Artes e Cultura de Ponte de Sor and Espaço Adães Bermudesin. Bunga presented one of his video works.

The PLMJ Foundation organized an exhibition at the Fine Arts Society (Sociedade Nacional de Belas Artes) with a selection of works focusing on sculptures by artists from Portugal and Mozambique belonging to the PLMJ Foundation collection.

Bunga created a site-specific construction for the covered public square “Couros” of the Guimarães Design Institute. The exhibition was part of the program Change in Progress for the Guimarães: 2012 European Capital of Culture.

Bunga participated at this event organized by students of the Superior School of Arts and Design of Caldas da Rainha, Portugal, where everyone is invited to show their work and projects on the streets of the city and in their homes. At the school’s student residence where he was staying, he showed a site-specific construction and registered an artistic action tearing it down.