Carlos Bunga was part of the collective exhibition Oneiroikos at Broteria. It brings together works through the prism of the book The poetics of space by Gaston Bachelard. The works act as discreet worlds, that contain micro- and macrocosms, and that aim to explore and reflect the relation between interiority and exteriority, both physical and psychic, creating Bachelardian poetic images that are born out of the meeting between subjectivity and reality, between intimacy and the world.

Carlos Bunga was part of the collective exhibition at Gund Gallery, Kenyon College, Sculpture As Verb. Expands on the ideas proposed by one of Richard Serra’s most influential works, Verb List

Carlos Bunga was part of the collective exhibition Uma Cadeira É Uma Cadeira É Uma Cadeira at Galeria Luisa Strina in São Paulo, Brasil.

Carlos Bunga was part of the exhibition “18 May 2022“ at the 3+1 Contemporary Art gallery in Lisboa, where he presented the painting “Homeless #4“

This group exhibition presented at Galeria do Torreão Nascente da Cordoaria showcased some of Fundación ARCO’s collection and how art has been evolving since the 60s. Bunga’s included piece was Intento de conservación III.

FdG Projects was the first exhibition space of art collector Frédéric de Goldschmidt, where he shared his acquisitions with the public. He has several artworks by Bunga, which were part of this double exhibition with Fernanda Fragateiro.

An exhibition that outlined recent developments in contemporary sculpture. Curated by Jens Hoffmann. The title is a reference to Marcel Broodthaers’s Museum of Modern Art, Department of Eagles.

After moving to a new space in Tribeca in New York, the gallery Alexander and Bonin organized this summer exhibition.

This exhibition celebrated the gallery’s 25th anniversary, showcasing a panoramic view of its activity since it opened its doors. Bunga’s included works were some of his objects made out of cardboard and home paint.

Art gallery CarrerasMugica hosted an exhibition at La Nave with a selection of artists from Galeria Elba Benitez. It approached contemporary art from the idea of multiplicity, aiming for a narrative to emerge on its own accord. Bunga exhibited several of his Models – sculptures made out of cardboard and paint.

The exhibition at KARST explored how diverse artistic strategies, seemingly humble or even invisible, can unfold as gestures of resistance, as instruments for radical change.

The exhibition at art gallery Luciana Brito traced performative dimensions in contemporary abstract art, connections to modernism, and the reinvention of abstraction. Bunga presented one of his site-specific architectural constructions.