This exhibition, which previously took place at the Museum of Art, Architecture and Technology, is Bunga’s first major survey of his work, including films of his actions and performances, documentation and artworks in different formats.

The first exhibition exclusively dedicated to the role of drawing in Carlos Bunga’s oeuvre, with drawings, sketches and notes from his past work and new pieces produced for this occasion.

Animated by films of his actions and performances, along with documentation of a decade of works, this exhibition at the Museum of Art, Architecture and Technology is Bunga’s first major survey of his work.

At MoCAD, Bunga creates a site-specific installation shaped as a spiralizing maze within the museum’s gallery, echoing the building’s architecture through his preferred simple materials.

Central to the exhibition at art gallery Alexander and Bonin, was a site-specific installation that derived its monumentality from what is not there, surrounded by paintings, drawings and objects.

A large-scale in situ intervention on the museum’s rooms and patios, with ephemeral site-specific installations both outside and inside the Museo de la Universidad Nacional de Colombia.

At Museo Amparo, Bunga reflects on the idea of conservation and how hospitals and museums play a central role as spaces dedicated to the conservation of humanity or its cultural heritage.

Ecosystem is a winner of the ArtPrize international art competition. Bunga’s exhibition was part of SiTE:LAB at 54 Jefferson, the former Grand Rapids Public Museum. His site-specific interacted directly with original dioramas and showcases from the 1970s, which illustrate the diversity of the local wildlife, and blended in with the old building to create a new museology.

For his first individual exhibition in Colombia, Desterritorialización at Casa Riegner, Bunga presented a site-specific installation made out of cardboard and adhesive tape, adapted to the gallery’s floor plan. He also showcased a set of drawings that function as a field of reflection, sketches that he always makes after his specific projects.

Using the concept “Khôra” - from Platos’s work - as a starting point, Bunga’s site-specific arquitectural construction at MUAC-UNAM reflects on constant oscillation between exclusion and participation, asking the audience to open up to other ways of receiving and being received within the museum’s space.

At Pinacoteca do Estado de São Paulo, Bunga presented the site-specific construction Mausoléu, made out of cardboard and adhesive tape and integrating 45 sculptures of the Pinacoteca Collection.

Bunga’s exhibition at Hammer Museum brought together past drawings, paintings, sculptures, and videos, and the new site-specific construction “Landscape”.

At Oficina para Proyectos de Arte, Bunga presents a site-specific installation. The labyrinth made of cardboard represents the complexity of thinking during the work process and invites the audience to intervene it.

Bunga approached the recent history of the city of Vigo, its architecture, urbanism and transformations, through a research process with field work, resulting in a series of drawings, photographs, collages, a video and a sound file.

For his first solo exhibition in the United States, Bunga presented two large-scale site-specific installations at MAM, and later on brought them down during a performance.

At Krome Gallery, Bunga presented a site-specific installation that, through the use of fragile yet stabile packing material seeked to produce a confrontation between the architectural exterior and its cordoned-off, detached interior space.

Bunga’s first project in the UK.  He was commissioned by Milton Keynes Gallery to make a site-specific. There, he presented one of his complex architectural structures made from corrugated cardboard and packing tape, taking over the gallery’s space.

For his second solo exhibition, Bunga presented a site-specific architectural installation at Culturgest Porto – one of the spaces by foundation Culturgest – Fundação Caixa Geral de Depósitos.

For his first exhibition at Galería Elba Benítez in Madrid, in 2005, Bunga filled up the space with a large-scale, site-specific construction.