For his first solo show in Brazil, Bunga presents new works made during his trip to this country, right before the exhibition, accompanied by new in-situ installations. It showcases key elements of the his research, after more than 20 years expanding on the possibilities of painting and forging close relationships with architecture, installation, video, and performance. 

An extension of Bunga’s exhibition Contra la extravagancia del deseo at the Palacio de Cristal. From that project, Bunga created new works, including drawings, photographs and videos registering his performance and building process, shown alongside remnants of the installation.

Central to the exhibition at art gallery Alexander and Bonin, was a site-specific installation that derived its monumentality from what is not there, surrounded by paintings, drawings and objects.

For his first individual exhibition in Colombia, Desterritorialización at Casa Riegner, Bunga presented a site-specific installation made out of cardboard and adhesive tape, adapted to the gallery’s floor plan. He also showcased a set of drawings that function as a field of reflection, sketches that he always makes after his specific projects.

At Krome Gallery, Bunga presented a site-specific installation that, through the use of fragile yet stabile packing material seeked to produce a confrontation between the architectural exterior and its cordoned-off, detached interior space.

Bunga’s first project in the UK.  He was commissioned by Milton Keynes Gallery to make a site-specific. There, he presented one of his complex architectural structures made from corrugated cardboard and packing tape, taking over the gallery’s space.

For his first exhibition at Galería Elba Benítez in Madrid, in 2005, Bunga filled up the space with a large-scale, site-specific construction.