This solo exhibition is a major anthology offering the opportunity to delve into the complex and poetic work of Bunga. It includes artworks from the Helga de Alvear Collection, works specially produced for the exhibition, as well as a site-specific monumental piece created in situ. In it, Bunga understands the spectator as another element of the installation: his experience integrates the work itself and transforms it.

Bunga’s first major anthological exhibition in Spain. It reflects on the temporalities of nature, its shelters and its living and organic qualities.

As a poetic approximation to the work of Maria Teresa Hincapié Bunga developed an action at MACBA that took the audience out of the museum’s space and to the streets.

An extension of Bunga’s exhibition Contra la extravagancia del deseo at the Palacio de Cristal. From that project, Bunga created new works, including drawings, photographs and videos registering his performance and building process, shown alongside remnants of the installation.

This exhibition for the Museo Reina Sofía was shown at the Palacio de Cristal, where Bunga constructed one of his biggest site-specifics up until now, accompanied by a performance and a sculpture.

Bunga approached the recent history of the city of Vigo, its architecture, urbanism and transformations, through a research process with field work, resulting in a series of drawings, photographs, collages, a video and a sound file.

For his first exhibition at Galería Elba Benítez in Madrid, in 2005, Bunga filled up the space with a large-scale, site-specific construction.