Carlos Bunga was part of the collective exhibition Oneiroikos at Broteria. It brings together works through the prism of the book The poetics of space by Gaston Bachelard. The works act as discreet worlds, that contain micro- and macrocosms, and that aim to explore and reflect the relation between interiority and exteriority, both physical and psychic, creating Bachelardian poetic images that are born out of the meeting between subjectivity and reality, between intimacy and the world.

Carlos Bunga was part of the collective exhibition at Gund Gallery, Kenyon College, Sculpture As Verb. Expands on the ideas proposed by one of Richard Serra’s most influential works, Verb List

Carlos Bunga’s “Intento de conservácion IV, 2015“, was part of the exhibition “HISTORY(IES) OF ART RECENT ACQUISITIONS IN THE SERRALVES COLLECTION” at the Serralves Museum, next to 11 other artists’ whose work had been recently acquired.

Carlos Bunga was part of the Anozero–Coimbra Biennial of Contemporary Art ‘21-22. In the exhibition “Meia-Noite”, he presented the video and site-specific installation “Mother”.

Carlos Bunga was part of the exhibition “18 May 2022“ at the 3+1 Contemporary Art gallery in Lisboa, where he presented the painting “Homeless #4“

Bunga’s Nicho #10, acquired by FLAD, was part of the exhibition Feast. Fury. Femina. Works from FLAD Collection presented at the Arquipelago. Centro de Artes Contemporâneas in São Miguel.

Carlos Bunga was part of the exhibition “Europa, Oxalá“ at the Calouste Gulbenkian Foundation.

This exhibition celebrated the gallery’s 25th anniversary, showcasing a panoramic view of its activity since it opened its doors. Bunga’s included works were some of his objects made out of cardboard and home paint.