Inaspettatamente is an exhibition inspired by the life, work and world view of the late artist Alighiero Boetti. A dialogue emerges between Boetti and the living artists present in FdG Collection that echoes conversations around seriality and processes, order and disorder, and experimentation with different modes of production; either in a direct thematic connection or on a more intuitive level.

Más que espacio, at Museo de Arte Contemporáneo Helga de Alvear, aims to reflect on how artists have reproduced, interpreted, imagined, denied, or deconstructed the space. Not only from a formal point of view, but also bringing into play other social, political, economic, and emotional implications.

An exhibition about at Philadephia Art Alliance about Sara Dienes, whose experimental work expanded what was permissible in the visual arts. She was an early influence on younger artists such as Jasper Johns. Her junk constructions were included in MoMA’s Art of Assemblage exhibit.

The exhibition includes analogous efforts by contemporary artists, including paintings by Carlos Bunga

Carlos Bunga was part of the group exhibition Dialecto at Centro de Arte Dos de Mayo. For the first time since the museum's founding, the collections are set up throughout the entire building in an exhibition that aims to explain what this museum is, why it exists, to put on display the reasoning behind its programme and, above all, to celebrate the importance of a collaboratively built collection as a project that can take responsibility for telling us what contemporary art is from the perspective of right here, with more than 400 works by 250 artists.

Carlos Bunga was part of the group exhibition Modus Operandi at Serralves. The exhibition brings together works that have been incorporated into the Serralves Collection since it was launched in 1989. It reflects specific experimental or transdisciplinary approaches and includes conceptual and formal themes that convey the attitudes, contexts and concerns that marked art production since the 1960s.

Carlos Bunga was part of the exhibition Colección Helga de Alvear at the Museo de Arte Contemporáneo Helga de Alvear, curated by José María Viñuela, patron of the Foundation.