For Manifesta 15 in Barcelona, Bunga created La irrupción de lo impredecible, which consists of a monumental painting that emanates light from the floor and a series of cocoons that hang from the ceiling.

At MACBA Barcelona, Bunga presented the installation Animismo. Tables, sideboards and other elements recovered from flea markets are given a new lease of life, in which they merge with the Museum building through interventions with cardboard panels and adhesive tape, ephemeral elements that configure their own unique language.. Reusing furniture as a reflection on the life we bestow on inanimate objects, a new animism that, in this case, inhabits a museum space.

For the 35th edition of the Sao Paulo Art Biennial, Bunga presented Habitar el color, a site-specific commissioned work that invited visitors to a sensory experience of walking on a thick layer of crackled paint and feeling the color and its ephemeral nature with their feet.

For the exhibition Chapter 1: Mental Landscapes of the triennal GIGANTISME - ART & INDUSTRIE, organized by Frac Grand Large, Bunga created the site-specific Cathédrale, presented at Dunkirk’s Halle AP2 (‘Atelier de Préfabrication n° 2).

For the 2015 Chicago Architecture Biennial, The State of the Art of Architecture, Bunga presented the installation Under the Skin, as the inaugural exhibit at the Stony Island Arts Bank.

De-monumentalisation was the theme, referring to the sculpture being freed from any celebratory, encomiastic function, and rethinking how it could be possible to once again identify ourselves with monuments.

For the 29th São Paulo Biennial, Bunga presented Simultaneo, a site-specific installation made out of mass-produced materials like cardboard, glue, adhesive-tape and home paint.