This solo exhibition is a major anthology offering the opportunity to delve into the complex and poetic work of Bunga. It includes artworks from the Helga de Alvear Collection, works specially produced for the exhibition, as well as a site-specific monumental piece created in situ. In it, Bunga understands the spectator as another element of the installation: his experience integrates the work itself and transforms it.

A temporary cardboard structure in the Koski Gallery of the Sarasota Art Museum. Beginning and ending as a dialogue with the existing architecture, this installation transforms the gallery’s spatial configuration for the duration of the exhibition. By deploying light as his primary conceptual basis, just as James Turrell has done before him, Bunga explains that he sculpts light, which cannot be touched, but only felt viscerally.

Bunga’s first major anthological exhibition in Spain. It reflects on the temporalities of nature, its shelters and its living and organic qualities.

An extension of Bunga’s exhibition Contra la extravagancia del deseo at the Palacio de Cristal. From that project, Bunga created new works, including drawings, photographs and videos registering his performance and building process, shown alongside remnants of the installation.

This exhibition for the Museo Reina Sofía was shown at the Palacio de Cristal, where Bunga constructed one of his biggest site-specifics up until now, accompanied by a performance and a sculpture.

In his exhibition Mind awake, body asleep at Secession, Carlos Bunga explores the relationship between body and mind, which becomes especially manifest when sleeping.

Carlos Bunga presented his first solo show in a gallery in Portugal, at Galeria Vera Cortês. Photographs, videos, paintings, sculptures and drawings filled the space, halfway between his home and his studio.

Carlos Bunga was commissioned by Whitechapel to produce a site-specific at the renown gallery in London. Something Necessary and Useful resulted in an architectural installation and three videos.

Bunga approached the recent history of the city of Vigo, its architecture, urbanism and transformations, through a research process with field work, resulting in a series of drawings, photographs, collages, a video and a sound file.