This solo exhibition is a major anthology offering the opportunity to delve into the complex and poetic work of Bunga. It includes artworks from the Helga de Alvear Collection, works specially produced for the exhibition, as well as a site-specific monumental piece created in situ. In it, Bunga understands the spectator as another element of the installation: his experience integrates the work itself and transforms it.

For his first solo show in Brazil, Bunga presents new works made during his trip to this country, right before the exhibition, accompanied by new in-situ installations. It showcases key elements of the his research, after more than 20 years expanding on the possibilities of painting and forging close relationships with architecture, installation, video, and performance. 

In his exhibition Mind awake, body asleep at Secession, Carlos Bunga explores the relationship between body and mind, which becomes especially manifest when sleeping.

For his first exhibition in Canada, A Sudden Beginning, Carlos Bunga was invited to produce two major site-specific works for the Museum of Contemporary Art (MOCA) in Toronto.

Carlos Bunga was commissioned by Whitechapel to produce a site-specific at the renown gallery in London. Something Necessary and Useful resulted in an architectural installation and three videos.

This exhibition, which previously took place at the Museum of Art, Architecture and Technology, is Bunga’s first major survey of his work, including films of his actions and performances, documentation and artworks in different formats.