A temporary cardboard structure in the Koski Gallery of the Sarasota Art Museum. Beginning and ending as a dialogue with the existing architecture, this installation transforms the gallery’s spatial configuration for the duration of the exhibition. By deploying light as his primary conceptual basis, just as James Turrell has done before him, Bunga explains that he sculpts light, which cannot be touched, but only felt viscerally.

At MoCAD, Bunga creates a site-specific installation shaped as a spiralizing maze within the museum’s gallery, echoing the building’s architecture through his preferred simple materials.

Central to the exhibition at art gallery Alexander and Bonin, was a site-specific installation that derived its monumentality from what is not there, surrounded by paintings, drawings and objects.

Bunga’s exhibition at Hammer Museum brought together past drawings, paintings, sculptures, and videos, and the new site-specific construction “Landscape”.

For his first solo exhibition in the United States, Bunga presented two large-scale site-specific installations at MAM, and later on brought them down during a performance.