This solo exhibition is a major anthology offering the opportunity to delve into the complex and poetic work of Bunga. It includes artworks from the Helga de Alvear Collection, works specially produced for the exhibition, as well as a site-specific monumental piece created in situ. In it, Bunga understands the spectator as another element of the installation: his experience integrates the work itself and transforms it.

A temporary cardboard structure in the Koski Gallery of the Sarasota Art Museum. Beginning and ending as a dialogue with the existing architecture, this installation transforms the gallery’s spatial configuration for the duration of the exhibition. By deploying light as his primary conceptual basis, just as James Turrell has done before him, Bunga explains that he sculpts light, which cannot be touched, but only felt viscerally.

Carlos Bunga presented his first solo show in a gallery in Portugal, at Galeria Vera Cortês. Photographs, videos, paintings, sculptures and drawings filled the space, halfway between his home and his studio.

Carlos Bunga presents his solo exhibition Terra Ferma at Glynn Vivian Art Gallery. It brings together approximately 70 works dating from 2008 to the present, including large scale immersive installations, paintings, sculptures, videos and drawings.

Bunga approached the recent history of the city of Vigo, its architecture, urbanism and transformations, through a research process with field work, resulting in a series of drawings, photographs, collages, a video and a sound file.