At Museo Amparo, Bunga reflects on the idea of conservation and how hospitals and museums play a central role as spaces dedicated to the conservation of humanity or its cultural heritage.

Using the concept “Khôra” - from Platos’s work - as a starting point, Bunga’s site-specific arquitectural construction at MUAC-UNAM reflects on constant oscillation between exclusion and participation, asking the audience to open up to other ways of receiving and being received within the museum’s space.

At Oficina para Proyectos de Arte, Bunga presents a site-specific installation. The labyrinth made of cardboard represents the complexity of thinking during the work process and invites the audience to intervene it.